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Based on Release Date: DVD Release Date: PG-13| 1 hr 58 min Follow the movie on Plot Summary Eight married friends take their annual reunion vacation in the Colorado mountains. Revelations of infidelity involving one pair shatter the amicable mood, forcing the remaining friends to take a hard look at the strength of their own marriages. The couples grapple with issues of commitment, love, betrayal and forgiveness as they try to move on with their lives. Cast:,,,,,,, Director: Genres: Comedy drama Production Co: Lionsgate Films, Capital Arts Entertainment Distributors: Lionsgate Films Keywords:,,,,,,,,. This sequel to Tyler Perry's Why Did I Get Married reunites the cast from that earlier movie, again playing a group of eight friends who take an annual week-long vacation with each other. As they reconnect, Sheila (Jill Scott) discovers that her ex-husband, Mike, is planning to wreck her new marriage. Their troubles lead to the others facing some uncomfortable truths about their own relationships. The film co-stars Janet Jackson, Malik Yoba, Michael Jai White, and Louis Gossett Jr. ~ Perry Seibert, Rovi •. ½ CAST: Tyler Perry, Janet Jackson, Tasha Smith, Jill Scott, Michael Jai White, Sharon Leal, Malik Yoba, Richard T. Jones, Lamman Rucker DIRECTOR: Tyler Perry SUMMRY: Four couples reunite for their annual vacation in order to socialize and to spend time analyzing their marriages. Their intimate week in the Bahamas is disrupted by the arrival of an ex-husband determined to win back his recently remarried wife. MY THOUGHTS: REALLY different from the first. Darker with a lot more going on. Janet Jackson really brought the drama. Her character really goes through a lot. I read she channeled her brother greivence to take her through the emotions of the movie, which is really sad knowing that and seeing her cry and break down. But it's not all sad and gloom. It has comedy, and it's pretty funny. But that's all Tasha Smith. Her character is as crazy as ever and very funny. I was really surprised by the ending. I was also surprised with the actor who does a small cameo in end of the movie with Janet Jackson. I think maybe there will be another movie brought from that small introduction. Just as good as the first. Worth seeing if you liked the first film. A friend asked me a couple of years back why I got married. My husband and I are both older, we weren't intending to have children, we were independent financially. By on August 22, 2015 in,,,,,, For the past eight years the town of Downers Grove has suffered a curse, every year just before graduation, one senior dies a bizarre death. Graduation is approaching and Senior Chrissie Swanson (Bella Heathcote) has the nagging feeling it’s her turn. Can Chrissie survive the curse of Downers Grove or will she suffer the same fate as those Seniors before her? ‘The Curse of Downers Grove’ was directed by Derick Martini based on the script co-written by Martini and Bret Easton Ellis (American Psycho), based on the novel by Michael Hornburg. Jul 21, 2015 - 2 min - Uploaded by Movieclips Film Festivals & Indie FilmsSubscribe to INDIE & FILM FESTIVALS: Subscribe to TRAILERS: http://bit.ly. The film was produced by Oren Segal, Chiara Trento, Jason Dubin and Anchor Bay. Heathcote, Lucas Till, Tom Arnold, Penelope Mitchell and Kevin Zegers star in this horror-thriller, inspired by true events. ‘The Curse of Downers Grove’ debuts in select theaters August 21st and will be released on DVD and Blu-ray on September 1st. From the author of the novel AMERICAN PYSCHO ★Subscribe HERE and NOW ► ★ The Best Thrillers are HERE ➨ The town of Downers Grove looks like your average suburban neighborhood —but Downers Grove has a disturbing secret. For the past eight years, one senior from every high school graduating class has met a bizarre death right before graduation day. And this year, Chrissie Swanson (Bella Heathcote) has a terrible feeling that she is going to be the one to die. Can Chrissie survive the curse of Downers Grove or will she, like those seniors before her, fall prey to the town's deadly secret? The Curse of Downers Grove TRAILER A Movie directed by Derick Martini Cast: Bella Heathcote, Lucas Till, Penelope Mitchell, Tom Arnold, Kevin Zegers Release Date: In Theaters & on Itunes August 21st, 2015 Genre: Horror Thriller The Curse of Downers Grove TRAILER © 2015 - Anchor Bay ✓ Subscribe now to catch the best trailers and the latest HD official movie trailer, film clip, scene and video! Overview of His Musical Career, 1914, directed by Charles Chaplin, with Charles Chaplin, at Turner Classic Movies. Hugh McDonald fully supported his stepson Jake Johnson’s desire to sell some CDs to raise money for the Rockport fire victims last month. McDonald hosted a party at his home in Hoytsville where Johnson’s band played and sold some CDs, raising more than $1,000. (See story entitled 'Hoytsville resident Jake Johnson’s world is music'). McDonald understands the need to do good things with music because he is a professional bassist player who has appeared on records by Willie Nelson, Cher, Gladys Knight & the Pips, John Prine and Steve Goodman. The bassist, whose ongoing gig is with multi-platinum-selling rock band Bon Jovi, said he was inspired to play music because of the Beatles. 'I don’t even know if you can call music a hobby for me then, because our neighborhood kids just did it,' he said. 'We put bands together or played music, and everything grew from that.' McDonald would drive to New York for recording sessions and was referred from one job to the next. His first, big-time session was with singer and songwriter Steve Goodman, who wrote the song 'City of New Orleans' that was recorded by Arlo Guthrie, McDonald said. 'Steve needed a bassist and the guitarist who was working with him played in the same band as me in Philadelphia,' McDonald said. 'They called me and it was right after my father died. So I left straight from the funeral and went to New York to start the album.' The project was helmed by legendary producer Arif Mardin, McDonald said. Mardin, who passed away in 2006, is known for his work with Aretha Franklin, Roberta Flack, Phil Collins, Norah Jones, Richard Marx, Jewel, Willie Nelson and Bette Midler, to name a few. 'If one of the first things you would ever do in the so-called big-time was with Arif, you couldn’t do any better,' McDonald said. 'It was perfect timing and just what I needed to get over my father’s death, but also one of those experiences that was just great.' Mardin liked what McDonald and the session band did with Goodman and recruited them to work on Willie Nelson’s 1973 breakout album, 'Shotgun Willie.' 'The problem was Arif didn’t know Willie had his own band,' McDonald said laughing. 'But instead of telling us goodbye, Arif set it up so one band would play one song and the other would play the next. It was great.' That project really started McDonald’s career, and he has since then worked and performed with Ringo Starr, Cher, Michael Bolton, Lita Ford, Ricky Martin, Phoebe Snow, David Bromberg, Andy Pratt, Carlene Carter, Alice Cooper and producer and songwriter Desmond Child. When McDonald replaced Bon Jovi’s long-time bassist Alec John Such in 1994 after the hits compilationof hits, 'Cross Road,' it was like reunion of sorts, because McDonald recorded with lead singer Jon Bon Jovi on a song called 'Runaway' in 1981. The song, which was officially released in 1983 and reached No. 39 on the Billboard Hot 100, was recorded at the Power Station studios in New York. 'Jon was sweeping floors and making coffee at the time and he had this song,' McDonald said. 'The producer [Lance Quinn] was in a band with one of my friends Obie O’Brien who I had known from Philadelphia.' Quinn called McDonald for a recording session one morning at 2 a.m. 'At that time, Bruce Springsteen was in one of the studios, so they asked his keyboardist Roy Bittan to play on the song,' McDonald said. 'In one of the other rooms, John Waite was doing his first album, so they asked [drummer] Frankie LaRocka and [guitarist] Timmy Pierce to play. And that was the band.' Although McDonald has played for thousands of people in hundreds of cities, he still has one regret. 'I was stupid in a lot of ways, and relied primarily on my ears and didn’t learn to read music,' he said. ' That’s something I beat myself up about every day. 'I was an old dog when I got into the studio to do some commercial jingles and it was such a beating that it wasn’t fun for me,' McDonald said. 'I should have become more rounded as musician with being able to sight read.' Still, McDonald loves his career. 'The stuff that I have done and the people that I have played with have been great,' he said. But that doesn’t mean there haven’t been some challenges throughout the past 40 years. 'You have to be able to get along with everybody and get along with people you may not normally be able to get along with,' McDonald said with a knowing smile. 'That’s very important. 'Also, being at the right place at the right time is extremely important,' he said. 'You have to know the basics and be ready when the chance comes, but the chances, nine times out of 10, are pure luck.' The rewards of being a professional bassist, however, are priceless, McDonald said. 'There are things that I have that are irreplaceable,' he said. 'I have a Hofner violin bass that I had Paul McCartney sign and I had my picture taken with the Queen of England.' McDonald said it was also surreal standing on the coast of Africa a few Bon Jovi tours ago with his friend Obie O’Brien, whom he has known since his days in Philadelphia. 'We stood at the edge of the continent, and looked at each other and said who would have guessed after all these years that we’d be here together,' McDonald said. 'But the biggest reward about where my career has led me is meeting my wife Kelli.' Correct rendition of the most famous mystery novel written by Arthur Conan Doyle with an awesome Peter Cushing as Sherlock and fairly faithful to the source material. Holmes (Peter Cushing )and Watson(Andre Morell) are contracted by Doctor Mortimer (Francis De Wolff) for the investigation of killing Sr. Baskerville who is now inherited by his niece Sir Henry. Sherlock Holmes (Peter Cushing) and Dr. Watson (Andre Morell) are summoned to investigate the murder of Sir Charles Baskerville. The family seems to. Mortimer asks Sherlock Holmes to help protect Sir Henry Baskerville (Christopher Lee), who has returned to England to take his place at the family seat following the death of his uncle, Sir Charles Baskerville. Sir Charles died of cardiac exhaustion and Dr. Mortimer believes he was frightened to death. There appears to be a curse on the family dating back nearly 200 years to when Sir Hugo Baskerville was supposedly killed on the moor by a huge hound. Holmes dismisses the supernatural elements of the case but there are a sufficient number of odd events to pique his interest. Holmes soon realizes that someone is making sure the legend becomes real. Watson goes to the mansion,there are the servants(John Le Mesurier) and he meets Stapleton and his daughter (Marla Landi). Meanwhile an inmate has escaped and on the moor sound the barking of a savage beast. This is an excellent and thrilling film with horror elements in Hammer style based on the splendid novel by Arthur Conan Doyle.It's a genuine ripping yarn with much suspense and moody intrigue. The film gets mystery, tension, thrills, detective action and packs an exciting deal of outstanding surprises with great lots of fun despite to be a known story. Magnificent Peter Cushing's interpretation although the best Sherlock is forever Basil Rathbone. Cushing plays as Holmes as an intelligent, obstinate, broody, pipesmoking sleuth, his acting is similar to Jeremy Brett for TV or Nicol Williamson(Seven-per-cent-solution) or Christopher Plummer(Murder by decree). Watson isn't a botcher, bungler or clumsy partner incarnated by Nigel Bruce but a cunning and astute pal well represented by Andre' Morell.The movie has a creepy atmosphere specially when is developed on the moor where lives the fearful giant beast; besides the 223 Baker Street's house is well designed. Spooky and murky cinematography by Jack Asher. Eerie and creepy musical score by James Bernard. This atmospheric motion picture is accurately directed by the ¨Hammer House of Horror¨ master, the great Terence Fisher. Other version about this story are the following: the best version that still can be called a classic filmed in 1939 by Sidney Landfield with Basil Rathbone, Nigel Bruce y Richard Greene; English adaptation (1983) by Douglas Hickox with Ian Richardson as Holmes and Donald Churchill as Watson and TV rendition with Jeremy Brett and Edward Hardwicke. Directed by Peter Hammond. Oct 23, 2017 - 4 minThe intersection of early chase movies with slapstick, this predates the Keystone Cops by 8. The Unfortunate Policeman was created in 1905. Title: The Unfortunate Policeman (1905) 6 /10. Want to share IMDb's rating on your own site? Use the HTML below. Watch The Unfortunate Policeman 1905 online for free in DVD-rip quality – We offer to see The Unfortunate Policeman 1905 on our website. The Unfortunate Policeman 1905 watch online free in good quality hd without registration. Also, in addition to online viewing, you can download The Unfortunate Policeman 1905 for free by clicking on the appropriate button and waiting for a response from the file server. The full movie The Unfortunate Policeman 1905 online is also available on the Android-powered phone and tablet (Android with HLS support), and on the iPhone and iPad running iOS. Powered by 123gomovies Disclaimer: is absolutely legal and contain only links from (Putlocker, sockshare, allmyvideos, filenuke, vidxden, novamov, nowvideo, Megavideo, gomovies, MovShare, Muchshare, Vidbux, Openload, vidto, Nosvideo, Movreel, Videozed and many others.), All of the free movies found on this website are hosted on third-party servers that are freely available to watch online for all over the world. Any legal issues regarding the free online movies on this website should be taken up with the actual file hosts themselves, as we're not affiliated with them. Running time 118 minutes Country United States Language English Budget $2.5 million Box office $30,500,000 From Here to Eternity is a 1953 directed by and based on the. The picture deals with the tribulations of three soldiers, played by,, and, stationed on in the months leading up to the. And portray the women in their lives, and the supporting cast includes,,,,, and. The film won eight out of 13 nominations, including awards for, (Fred Zinnemann),, (Frank Sinatra), and (Donna Reed). The film's title originally comes from a quote from 's 1892 poem ', about soldiers of the who had 'lost [their] way' and were 'damned from here to eternity'. In 2002, From Here to Eternity was selected for preservation in the by the as being 'culturally, historically, or aesthetically significant'. Contents • • • • • • • • • • Plot [ ] In June 1941, bugler and career soldier Private Robert E. Lee Prewitt () transfers to a rifle company at on the island of. Captain Dana 'Dynamite' Holmes () has heard he is a talented middleweight boxer and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before. Holmes makes life as miserable as possible for Prewitt, hoping that he will change his mind, and then orders Milton Warden () to prepare general papers after Sergeant Galovitch (John Dennis) first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other join in the hazing, and Prewitt is supported only by his close friend, Private Angelo Maggio (). • as First Sergeant Milton Warden • as Private Robert E. Lee 'Prew' Prewitt • as Karen Holmes • as Alma Burke / Lorene • as Private Angelo Maggio • as Captain Dana 'Dynamite' Holmes • as Sergeant Leva • as Private First Class Mazzioli • as Staff Sergeant James R. From Here to Eternity is a 1953 drama film directed by Fred Zinnemann and based on the novel of the same name by James Jones. The picture deals with the. 'Fatso' Judson • as Corporal Buckley • John Dennis as Sergeant Ike Galovitch • as Private Sal Anderson • as Sergeant Pete Karelsen • as Sergeant Maylon Stark • as Sergeant 'Baldy' Dhom • as Nair • as Sergeant Henderson • as Colonel Ayres • Arthur Keegan as Treadwell • Barbara Morrison as Mrs. Kipfer • as Georgette Production [ ] Hollywood legend has it that Frank Sinatra got the role in the movie by means of his alleged connections and it was the basis for a similar subplot in. However, that has been dismissed on several occasions by the cast and crew of the film. Director commented that 'the legend about a horse's head having been cut off is pure invention, a poetic license on the part of who wrote.' One explanation of Sinatra's casting is that his then-wife persuaded studio head 's wife to use her influence with him; this version is related by in her Sinatra biography. And were offered roles, but George lost her role when the director decided he wanted to cast the female roles against type, and Crawford's demands to be filmed by her own cameraman led the studio to take a chance on Deborah Kerr, also playing against type. The on-screen chemistry between Lancaster and Kerr may have spilled off-screen; it was alleged that the stars became during filming. [ ] Two songs are noteworthy: 'Re-Enlistment Blues' and 'From Here to Eternity', by Robert Wells and Fred Karger. Differences from the novel [ ] Several of the novel's controversial plot points were changed or eliminated for the film to satisfy the and the U.S. Army cooperation was necessary in order to shoot on location at Schofield Barracks, use training aircraft, and obtain military footage of Pearl Harbor for use in the film, as well as for cost reasons. According to screenwriter Daniel Taradash, both the Code Office and the Army were impressed by his script, which reduced the number of censorship problems. In the novel, Lorene was a prostitute at a brothel, but in the film, she is a hostess at a private social club. Karen's hysterectomy in the novel was caused by the unfaithful Holmes transmitting to her, but in the film, her hysterectomy resulted from a miscarriage, thus avoiding the topic of venereal disease. The changes were made to meet Code Office standards. In the novel, several of the enlisted men fraternize with homosexuals, and one soldier commits suicide as a result, but homosexuality is not mentioned or directly explored in the film. Again, the change was made to satisfy the Code Office. However, J.E. Smyth has written that the film's treatment of Judson's behavior towards Maggio 'has all the indications of sexual abuse, and therefore reintroduces the fear of homosexuality in the 1930s military that the rest of the script had to repress for obvious reasons of censorship'. In the novel, Captain Holmes ironically receives his desired promotion, and is transferred out of the company. In the film, Holmes is forced to resign from the Army under threat of court-martial for his ill-treatment of Prewitt. The Army insisted on this change, which the filmmakers reluctantly made. Director Zinnemann later complained that the scene where Holmes is reprimanded was 'the worst moment in the film, resembling a recruiting short' and wrote, 'It makes me sick every time I see it.' In the novel, Judson's systematic abuse of Maggio and other prisoners, including Prewitt himself at one point, is portrayed in detail. However, in the film, Maggio's abuse happens offscreen and is told only verbally to Prewitt, who remains free. The Army required that the abuse of Maggio not be shown and that Judson's behavior towards Maggio be portrayed as 'a sadistic anomaly and not as the result of Army policy as depicted in Jones' book'. The filmmakers agreed, seeing these changes as improvements. Maggio, who survives and is discharged in the novel, dies in the film, having been combined with two other prisoner characters from the novel (one of whom is killed by Judson in the novel) to add drama and make Maggio a stronger, more tragic figure. The Army was further pacified by the filmmakers' inclusion of a line suggesting that Maggio's death was partially caused by his falling off a truck during a prison break, rather than solely by Judson's beatings. Reception [ ] Opening to rave reviews, From Here to Eternity proved to be an instant hit with critics and the public alike, the Southern California Motion Picture Council extolling: 'A motion picture so great in its starkly realistic and appealing drama that mere words cannot justly describe it.' Agreed: The James Jones bestseller, From Here to Eternity, has become an outstanding motion picture in this smash screen adaptation. It is an important film from any angle, presenting socko entertainment for big business. The cast names are exceptionally good, the exploitation and word-of-mouth values are topnotch, and the prospects in all playdates are very bright whether special key bookings or general run. Of the actors, Variety went on to say, Burt Lancaster, whose presence adds measurably to the marquee weight of the strong cast names, wallops the character of Top Sergeant Milton Warden, the professional soldier who wet-nurses a weak, pompous commanding officer and the GIs under him. It is a performance to which he gives depth of character as well as the muscles which had gained marquee importance for his name. Montgomery Clift, with a reputation for sensitive, three-dimensional performances, adds another to his growing list as the independent GI who refuses to join the company boxing team, taking instead the 'treatment' dished out at the C.O.' S instructions. Frank Sinatra scores a decided hit as Angelo Maggio, a violent, likeable Italo-American GI. While some may be amazed at this expression of the Sinatra talent versatility, it will come as no surprise to those who remember the few times he has had a chance to be something other than a crooner in films. The applauded Frank Sinatra, remarking, 'He proves he is an actor by playing the luckless Maggio with a kind of doomed gaiety that is both real and immensely touching.' Also stated that, 'Frank Sinatra, a crooner long since turned actor, knew what he was doing when he plugged for the role of Maggio.' The cast agreed; commented in the book Sinatra: An American Legend that, '[Sinatra's] fervour, his bitterness had something to do with the character of Maggio, but also with what he had gone through the last number of years. A sense of defeat and the whole world crashing in on him. They all came out in that performance.' With a gross of $30.5 million equating to earnings of $12.2 million, From Here to Eternity was not only one of the top-grossing films of 1953, but one of the ten highest-grossing films of the decade. Adjusted for inflation, its box office gross would exceed US$277 million in 2017 dollars. Despite the positive response of the critics and public, the Army was reportedly not pleased with its depiction in the finished film, and refused to let its name be used in the opening credits. The also banned the film from being shown to its servicemen, calling it 'derogatory of a sister service' and a 'discredit to the armed services'. Recognition •: #52 •: #20 Awards and nominations [ ]. This section needs additional citations for. Unsourced material may be challenged and removed. • Webster, David Kenyon. 'Film Fare: Hollywood producers concentrate on fewer, more lavish pictures, theatre owners complain, but studios' profits are the best in year's Genghis Khan and Ben Hur.' , July 13, 1954, p. • ^ The Numbers. Retrieved: April 12, 2012. • ^ Oscars.org. Retrieved: December 20, 2015. • ^ Sinatra 1995, p. 106 • 2011-09-29 at the. Retrieved: May 31, 2011. • Buford 2000 • (1969). • ^ Hischak • ^ Suid, • Smyth • ^ Nixon, Rob.. Retrieved: December 20, 2015. • Dick • Beidler • Smyth • Smyth • ^ Eagan • Smyth, • Dick • Dick • Suid • ^ Brogdon, William.. Variety, July 29, 1953. Retrieved: January 14, 2010. • Smyth • Smyth •. Golden Globes. Retrieved November 17, 2017. • Festival de Cannes. Retrieved: January 25, 2009. Retrieved November 17, 2017. Bibliography [ ]. • Beidler, Philip D. The Good War's Greatest Hits: World War II and American Remembering. Athens, Georgia: University of Georgia Press, 1998.. • Buford, Kate. Burt Lancaster: An American Life. New York: Knopf, 2000.. • Dick, Bernard F., ed. 'Chapter 6: An Interview with Daniel Taradash: From Harvard to Hollywood'. Columbia Pictures: Portrait of a Studio. Lexington, Kentucky: University Press of Kentucky, 1992.. • Dolan, Edward F., Jr. Hollywood Goes to War. London: Bison Books, 1985.. • Eagan, Daniel. America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry. New York City: Continuum International Publishing Group, 2010.. • Evans, Alun. Brassey's Guide to War Films. Dulles, Virginia: Potomac Books, 2000.. • Hischak, Thomas S. American Literature on Stage and Screen: 525 Works and Their Adaptations. Jefferson, North Carolina: McFarland & Company, 2012.. • Sinatra, Nancy. Frank Sinatra: An American Legend. Chappaqua, New York: Readers Digest Association, 1995.. • Smyth, J.E. Fred Zinnemann and the Cinema of Resistance. Jackson, Mississippi: University Press of Mississippi, 2014.. • Suid, Lawrence H. Guts & Glory: The Making of the American Military Image in Film. Lexington, Kentucky: University Press of Kentucky, 2002.. External links [ ] Wikimedia Commons has media related to. • on • at • at the • at the • at • •. Director: Ross Boyask Writer: Chris Regan Producer: Phil Hobden Cast: Brendan Carr,, John Rackham Country: UK Year of release: 2008 Reviewed from: screener Ten Dead Men (or 10 Dead Men as the US distributor insists on calling it) is a brutal, violent film in which unpleasant people hurt each other very badly. It is also skilfully crafted and adroitly directed with some excellent performances and a thoroughly professional look. Like the previous feature from director Ross Boyask and producer Phil Hobden,, this is a gangland revenge tale in which a bloke who makes his living by hurting and killing people decides to give it all up and settle down, only to find that his bosses want to punish him by, ah, hurting and possibly killing him. So he goes away then comes back and, ah, hurts and kills them. The morality of the central character is distinctly dubious but then it must perforce be in any gangster film. Certainly, Boyask and Hobden’s films don’t glamourise the lifestyle like studio produced gangster films do. These characters are unpleasant men living miserable, unhappy lives. Attention music fans. Microsoft Store will stop selling music on Dec. Download your tracks and read our FAQ for more info. Ten Men Dead: The Story of the 1981 Irish Hunger Strike [David Beresford, Peter Maas] on Amazon.com. *FREE* shipping on qualifying offers. In 1981 ten men starved. But whereas Left for Dead was borderline fantasy and devoted most of its action to fancy kickboxing, Ten Dead Men is much dirtier and more realistic. There are a few spin-kicks towards the end but you certainly couldn’t call this a martial arts picture. Last time I checked, slamming someone’s head repeatedly into the floor was not actually a martial art. Brendan Carr (who played a ‘spectacular warrior’ in ) stars as Ryan who has actually left all that and settled down with a wife and a mortgage. But he finds himself pulled back into the darkness and shortly afterwards, mob boss Hart (:, Jack Said, ) has Ryan executed after first forcing him to watch the murder of his wife Amy (some excellent, terrified acting from ex- EastEnder Pooja Shah). Ten men took away his life. Now ten men will pay with their's. Ryan is left for dead, but returns to his old ways for one last revenge trip. And it's going to be bloody! Ryan’s bullet-riddled body is wrapped up and thrown into the sea but somehow. He survives and makes it back to the beach. This is the closest that the film gets to the not-quite-realism of its predecessor. Although I did wonder at some points whether this whole thing was flashing through Ryan’s brain in one second as the bullets take his life away, I think that ultimately we just have to accept that somehow. He has survived. So actually, Left for Dead would have been just as good a title here. Possibly even more apposite. But the Modern Life? Team had already used it once. What follows is basically a sequence of revenge killings on the ten men who were directly involved, in one way or another, in the death of Amy and the pseudo-death of Ryan. These include professional cage-fighter Bruiser (Tom Gerald), pathetic body-disposer Axel (John Rackham, writer-director of ), compulsive gambler Harris (Lee Latchford-Evans, formerly of ghastly plastic pop combo Steps!), corrupt cop Detective Inspector Keller (Ben Shockley) and the closest thing that the film gets to comic relief: a bickering couple named Parker and Garrett (JC Mac and Jason Lee Hyde, both in Stagknight) who are probably gay although this is never explicitly stated. There is also a smartly-dressed, sinister sadist simply called the Projects Manager (Keith Eyles, who played the father in ’s award-winning short ) who becomes the main villain, Hart himself keeping well out of the way of any actual violence. Obviously that’s not ten men but the others such as Stone (producer ‘PL’ Hobden) aren’t as clearly defined and seem like rather interchangeable, shaven-head thugs. The film’s website has brief character bios which mention, for example, that Stone is Hart’s nephew but this is never stated in the film. All this would be a frankly tedious sequence of one fight after another - simultaneously violent and picaresque - if the film was told in chronological order. But where the script by Brighton-based Chris Regan ( ), working from Boyask and Hobden’s story, works brilliantly is in chopping up the tale and mixing it with slices of earlier events so that we only learn why this is happening as we’re watching it happen. Cause and effect bundled together into one remarkably coherent and logical plot. Not that the viewer could necessarily work out precisely what is going on without a little help. Hence the drily detached narration by Doug Bradley - which at first seems, as narration invariably does, tacked-on and gratuitous. As the film progresses, as we start to realise which bits of the story happened before or after other bits (including, later, some bits which we saw out of context at the start), Bradley’s narration becomes not only worthwhile but indispensable. Ten Dead Men eschews the voyeuristic glee of so many gangster films in favour of powerful character conflict and fights which, though realistic, remain watchable and serve a narrative purpose. It is an imaginative, well-crafted British gangster thriller which, if there was any logic in the world, would have had a theatrical release instead of whatever tedious, inferior reworking of Lock, Stock Guy Ritchie has churned out this month. Also in the generally very fine cast are Jason Maza, Silvio Simac ( Transporter 3, Intergalactic Combat), Adrian Foiadelli, Cecily Fay (who was inside the TV series Marvin costume in the awful Hitchhiker’s Guide movie) and Glenn Salvage ( ). Many of the cast were in Left for Dead and/or Boyask’s earlier film fIXers; quite a few were in Bloodmyth and/or Rise of the Footsoldier. ( Soul Searcher, ) provides the score. The cinematographer was Darren Berry and Ross Boyask did his own editing. The very busy stunt co-ordinator was Jude Poyer (, Beyond the Rave) whose early work in Hong Kong includes the likes of Star Runner and Gen-Y Cops. The rather impressive UK DVD of Ten Dead Men includes ten deleted/alternate scenes, a 55-minute Making Of, two commentaries, sundry other behind-the-scenes bits, a brace of trailers and a 30-page spin-off comicbook entitled Ten Dead Men: The Last Job. Not just another British gangster film, Ten Dead Men is proof that there is life in the genre yet, despite the paucity of imagination which normally infects these films. MJS rating: A- Review originally posted 3rd April 2009. My Little Pony: A Very Minty Christmas is a direct-to-DVD animated film produced by SD Entertainment, and released on October 25, 2005 by Paramount Home Entertainment. Jun 24, 2013 This is the first song that appears in the movie My Little Pony: A Very Minty Christmas. That's what I love about Christmas! Have a very Minty Christmas! Running time 66 min. (Feature: 44 min.) Country United States Canada Language English My Little Pony: A Very Minty Christmas is a direct-to- produced by, and released on October 25, 2005. It marks the first film appearance of the since their in 1986. The DVD includes a bonus episode Dancing in the Clouds which is first released on video bundled with Star Catcher in 2004. A Very Minty Christmas was made available on hubworld.com (a successor of Hasbro's MonkeyBarTV website), alongside and but were later removed from the site. The popularity of has increased demand for reissues of the original My Little Pony titles. Has now begun to produce DVD reissues of some of these titles, including A Very Minty Christmas. The film made its television debut on on December 13, 2014. Contents • • • • • • • • • • Plot [ ] Minty accidentally breaks the 'Here Comes Christmas Candy Cane', which apparently guides Santa Claus to Ponyville. To try to make up for doing this, Minty gives each pony one of her socks (she hangs them like stockings on the other ponies' fireplaces). When Pinkie Pie finds out what Minty has done, Minty states that the sock giving is a bad idea, and then decides she should go to the North Pole herself to set things right. Minty is terrible at balloon flying, so the chase is on to save her in the process of saving Christmas. Characters [ ]. I just watched Ark of Truth last night and I found it a great film (a term I use lightly - it really is more of an extended episode). The script was enjoyable, the actors were as always at their peak and it concluded all the story arcs that needed concluding. Admittedly, the only factor in the film that annoyed me was the 'ark of truth' itself. It felt to me a little contrived that all of a sudden there was this 'ark of truth' that would solve all their problems. When they were fighting the goauld and they had to work out everything themselves, however with the ori all they're trying to do is find things that the ancients left behind. Still, a great film and I'd recommended it to any fan! It really isn't for non-fans tho. This film wasn't made to get new people into the stargate 'verse, but to finish off the story for those people who are already fans. There is too much assumes knowledge for non-fans to enjoy it. Feb 15, 2017 - 3 min - Uploaded by MovieclipsStargate: The Ark of Truth movie clips: BUY THE MOVIE: http: //bit.ly/2lMIwdH. Contents • • • • • Cameron Mitchell [ ] [has just taken command of the Oddysey] Weapons at maximum. [Marks: sir?] It's a joke, Marks. [Mitchell is groaning from being thrown by a replicator-controlled Marrick.] You know, I I think we really we got off on the wrong foot. [Marrick again throws him across the room.] Who am I kidding? I knew you were an asshole the moment we met. Others [ ] Alteran woman: We believe in the systematic understanding of the physical world through observation and experimentation, through argument and debate, but, most of all, freedom of will. I will not compromise the fundamental tenants of my devotion in order to preserve it. Doci: [After learning the truth about the Ori] Mia clementia denor esto. [Have mercy, I was blind, but now I see] Dialogue [ ] [Mitchell reluctantly takes the command seat of Odyssey.]: Weapons to maximum.: Sir? Mitchell: It's a joke, Marks. [Teal'c talks to Tomin about his own guilt from his days serving Apophis.]: One day others may try to convice you they have forgiven you. That is more about them than you. For them, imparting forgiveness is a blessing.: How do you go on? Teal'c: It is simple. You will never forgive yourself. You hurt others many others. Watch Stargate: The Ark of Truth Online Full Free. Stargate: the ark of truth full movie with English subtitle. Stars: Amanda Tapping, Michael Shanks, Beau Bridges. Watch Stargate: The Ark of Truth instantly on VUDU. An ancient artifact known as the 'Ark' will play a key role in the ongoing fight between good and evil, and SG-1. SG-1 travels to the Ori home galaxy in search of an Ancient device that could stop the Ori war once and for all. But the return of an old enemy threatens to overrun the ship before they can accomplish their mission. RATINGS SCORECARD. OUR RATING - FAN RATING - 8.99. This Season's Ratings. RELEASE DATE:. That cannot be undone. You will never find personal retribution. But your life does not have to end. That which is right, just, and true can still prevail. If you do not fight for what you believe in, all may be lost for everyone else. But do not fight for yourself. Fight for others — others that may be saved through your effort. That is the least you can do. [Vala and Daniel Jackson are in a village in the Ori galaxy. Daniel has just seen Merlin.]: You see that?: What? [Daniel indicates an old man.] Vala: That old man? What about him? Jackson: Nothing. Vala: Glad we had this chat.: Why was I not notified that you had someone on board with new intel about Ori army activity? Mitchell: Well I'm sure I called for you. There was no answer. I may have not pressed the comm button all the way down. Wow, I must look stupid standing there talking to myself. [Mitchell is talking to Carter.] Lt. Mitchell: You sure you don't want the chair? Carter: No, it's all yours! Daniel Jackson: Oh, God. Doci: Your gods cannot save you now, Daniel Jackson. Daniel Jackson: No, it's just a term for general dissatisfaction. Mitchell: My grandma always said: 'You want honey? Follow the bees'. Marks: Sounds like a good way to get stung to me. Part of SG-1 is planetside, while Mitchell and Carter are dealing with a problem on the: Tomin: What's a '? Teal'c: You do not wish to know. Mitchell: [via comm] Yeah, it's me again, your friendly neighborhood ship's commander. Looks like you guys have a little more time down there; we're having a bit of trouble with the beaming thing at the moment.I promise. Jackson: Okay, then.onwards! You can't take away my power! Vala: I think. Adria: You will all burn in the fires of eternal damnation! Morgan le Fay: Not if I have anything to do with it. Adria: You're no match for me. Morgan le Fay: [smiles] I am now [After some recovery time, SG-1 prepares to head out on another mission.] Lt. Mitchell: It's kind of weird not having a big bad guy to fight anymore.: Yeah, that's how we felt when we defeated the Goa'uld. And the Replicators. The first time. Mitchell: Well, Jackson and Vala took care of that. Vala: That whole Ori thing was not our fault! Jackson: Just take the blame. You get used to it. See also [ ] • • • External links [ ]. |
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